![]() ![]() Lee Konitz, a long-time advocate of transcribing the solos of Armstrong, Lester Young and other early greats, is heard playing this note-for-note on The Lee Konitz Duets. ‘ Struttin’ With Some Barbecue’, composed by pianist Lil Hardin Armstrong, is a standard amongst trad/Dixieland players, but its harmony (heard here in A flat major, it is also sometimes played in F) is similar to lots of other standard songs. The trumpet solo on this 1927 recording of Louis Armstrong & His Hot Five is 1927 recording is a one-chorus-wonder, so it shouldn’t take too long to learn, but it’s packed with brilliant material.Īfter half-chorus solos by Johnny Dodds on clarinet and Kid Ory on trombone, Armstrong’s joyous, operatic trumpet sound is heard over offbeat stop time.Įighth note runs would dominate the sound of jazz from the 1940s onwards, but Louis’ rhythmic language is rooted in his authoritative quarter notes. So much jazz education focuses on bebop and later styles, but paying some serious attention to music from the 1920s and ‘30s can really help set you apart from the crowd. Louis Armstrong – Struttin’ With Some Barbecue Learn this Chet Baker solo for: taking the melody as a starting point for improvisation playing simply and melodically in a way that is guided by the inner ear playing over standard cadences. Trumpet aside, Chet’s measured scat solos are highly recommend studying for jazz singers. Harry Warren’s There Will Never Be Another You is another essential standard that all jazz musicians ought to know. He begins this track with a loose interpretation of the melody on trumpet in F major, before a transition into the head, which he sings in E flat major, where we remain for the rest of the recording.Īfter the melody, he returns to the trumpet to solo for 3/4 of a chorus before singing the last eight bars of the form to finish.īoth of the trumpet choruses are worth learning: the first provides a lesson in taking the melody of a song as your starting point for improvisation, and both contain language over common cadences such as major and minor II-V-Is and the change from chord IV major to IV minor. His mid-50s vocal records contain the perfect material to learn as an introduction to transcription, as Baker usually follows his sung rendition of the head with a short, extremely singable mid-register trumpet solo. Let’s have a look at our top 3 picks before diving into our solo transcription recommendations:Ĭhet Baker – There Will Never Be Another YouĬhet Baker, featured in ou countdown of best cool jazz musicians, was always guided by his ear, rather than theory or pre-prepared licks. Red Garland plays Miles Davis’s solo from ‘Now’s The Time’ (from an earlier recording with Parker) back at Davis on ‘Straight No Chaser’ from the album Milestones, and there are multiple recordings of Lee Konitz & Warne Marsh playing Lester Young solos alongside their own improvisations.īesides transcription recommendations, we also share with you some of our favorite picks for ready-made transcription books. ![]() ![]() There are countless stories of great jazz musicians learning the best solos of their forefathers: bebop legend Charlie Parker famously played along with recordings of Lester Young to develop his own ground-breaking improvisational voice. It’ll also improve your ability to play by ear and you’ll become a better listener on the bandstand. Once you’ve learnt a solo, playing it along with the original recording will help to improve your sound and your swing feel, especially if you try to capture every detail, every inflection, every nuance.įinally, the process of transcribing great jazz solos will do wonders for your aural skills and make you a better musician in general.Ĭhallenging your ears – especially if you sing these solos before playing them – will only make them better, meaning that your transcribing skills will get stronger over time. It allows you to analyse what makes a certain phrase sound so good, and to use the material to develop your own improvisational vocabulary. #Saxsolos com jazz transcriptions of the masters how toAs we pointed out in our guide on how to learn jazz, studying and playing jazz solos by the masters can help your own playing in a whole host of ways. ![]()
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